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Infrared Cameras Compared: Fuji S3 UVIR, Nikon D70-IR, Canon EOS 5D-IR
Image comparisons—infrared
Nikon D70-IR filter comparison Adobe Photoshop Camera Raw conversion Auto-Leveled, slightly sharpened shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR* |
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No filter (built-in 800nm filter) | With B+W 092 |
With B+W 093 (below) |
With Hoya RM90 (below) |
Canon EOS 5D-IR filter comparison Adobe Photoshop Camera Raw conversion Auto-Leveled, slightly sharpened shot with EF 24-105/f4L IS |
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With B+W 091 deep red (and built-in 715nm filter) |
With B+W 092 |
With B+W 093 (below) |
With Hoya RM90 (below) |
Fujifilm S3 Pro UVIR filter comparison Adobe Photoshop Camera Raw conversion Auto-Leveled, slightly sharpened shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR* |
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No filter (built-in clear-glass filter) | With B+W 091 deep red |
With B+W 092 (below) |
With B+W 093 (below) |
Image comparisons—visible light
Fujifilm S3 Pro UVIR filter comparison Adobe Photoshop Camera Raw conversion Auto-Leveled, slightly sharpened shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR* |
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No filter (built-in clear-glass filter) | With B+W 489 IR-block |
With B+W 486 UV-IR-cut (below) |
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This space intentionally left blank.
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Fujifilm S3 Pro UVIR filter comparison Adobe Photoshop Camera Raw conversion Auto-Leveled, slightly sharpened shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR |
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With B+W
403 UV-pass[1] 1/2 sec @ f8 |
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[1] Using the Nikon 18-200/f3.5-5.6 ED-IF AF-S VR. The
image is most likely heavily polluted by infrared, though there is clearly some contribution from elsewhere in the
spectral band (deep violet and long-wave ultraviolet perhaps). [2] The Venus Filter frame used a Nikon 35mm/f2.5 Series E with original lens coatings. |
Fuji S3 Pro red/green/blue channels from image above | ||
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Red | Green | Blue |
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