August 2009

Archives

ANNOUNCEMENTS

Support this site by using the B&H or other links at no cost to yourself. Thank you.


Monday, August 31, 2009

Nikon software ineptitude


Negative values needed

Nikon has posted a warning on its web site about Snow Leopard compatibility.

Note that Nikon makes no promises about fixing anything, only that “more compatibility information” will eventually be posted. It’s the “deer in the headlights” approach.

One reader sums it up better than I could:

Way to plan ahead, Nikon! Never mind that developer builds of SL have been available to your software developers for more than a year.

BTW, god help you if you use a Nikon Coolscan. They haven't updated Nikon Scan since 10.1, yet they're still selling selling the scanners!

Sunday, August 30, 2009

Nikon Capture NX2 v2.2.0 20% faster with Snow Leopard!

Nikon Capture NX2 version 2.2.0 is 20% faster in Snow Leopard/64-bit, and 15% faster in Snow Leopard/32-bit. See Booting Into 64-bit Mode.

Do not update to version 2.2.2; it is non-functional with NEF files.

Mac OS X 10.6 Snow Leopard
Wow!!!

Nikon Capture NX2 2.2.2 dead with Snow Leopard (update)

Update: updating NX2 to version 2.2.2 before installing Snow Leopard results in a working NX2. Updating to Snow Leopard first results in the problem.

Yesterday’s entry stated that Nikon Capture NX 2 version 2.2.2 is broken with Snow Leopard. One reader wrote to say that Capture NX 2 version 2.2.2 works OK for him, with JPEGs. But of course JPEGs are not NEFs.

On the Mac Pro, I booted into the 32-bit Snow Leopard kernel, I uninstalled Capture NX2, then reinstalled versions 2.2.0. At this point, everything works fine with NEF.

I then applied the version 2.2.2 patch. After doing so, NEFs cannot be opened or viewed, and batch processing won’t even bring up the dialog. The system log shows a variety of errors from dlopen().

I then tried the MacBook Pro. I encountered exactly the same problem: version 2.2.0 works fine, version 2.2.2 fails. Maybe it’s a bug in the updater.

Version 2.2.2 was released on August 28th, the day Snow Leopard was released.

 

Determining whether your Mac has 32-bit or 64-bit firmware

As documented yesterday in my Snow Leopard Special Report on performance, booting the Snow Leopard 64-bit kernel is awesome news for performance, the best ROI (return on investment) I’ve ever seen for an OS upgrade.

The bad news is the Macs a few years old have 32-bit firmware (including original Mac Pro models), which makes them incapable of booting the 64-bit kernel, and you thus forgo all the speed advantages of a 64-bit kernel.

Here’s how to determine if your Mac has 32-bit or 64-bit firmware.

Saturday, August 29, 2009

Nikon Capture NX2 2.2.2 non-functional with Snow Leopard

Version 2.2.0 of Capture NX2 worked fine with Snow Leopard, but version 2.2.2 is completely non-functional even booting the 32-bit Snow Leopard. It won’t open a file, it won’t batch process. It will launch, and that’s it. The update was released August 28, so go figure.

From what I see in the system log, the NX2 application cannot open libraries in /Library/Application Support/Nikon/Capture NX 2. The libraries are present however, so it’s probably just another one of hundreds of Capture NX2 bugs. Except that this particular problem renders the program non-functional.

Aperture users rejoice for Snow Leopard

Pushing the limits of credulity, the Apple Aperture results on 64-bit Snow Leopard just seemed too amazing. So I re-ran the tests, only to get the same stunning results.

An amazing 32% longer time on Leopard than 64-bit Snow Leopard. That’s like turning your 2.66GHz machine into a 3.5GHz one! Click the graph below to read more, and see Booting Into 64-bit Mode.

Mac OS X 10.6 Snow Leopard
Wow!!!

Snow Leopard 64-bit kernel mode a big win for Helicon Focus

Testing Helicon Focus shows a stunning 18% gain over Leopard when booting Snow Leopard into 64-bit kernel mode. That’s as if a 2.66GHz machine were suddenly running at 3.1GHz. What an awesome upgrade. Most programs don’t gain that much, but everything I’ve tried in 64-bit mode is as fast, and usually faster than the 32-bit kernel mode.

The hitch? Apple defaults Snow Leopard to 32-bit kernel mode, which forgoes most of the gains. See Booting Into 64-bit Mode.

Mac OS X 10.6 Snow Leopard
Wow!!!

Photoshop CS4 is faster on Snow Leopard

Good news for Photoshop CS4 users: performance is improved on Snow Leopard. I’m seeing up to 6% faster with Snow Leopard booted into a 64-bit kernel (3% for a 32-bit kernel).

I’ll be testing Lightroom next. Watch this blog, my RSS feed or my Twitter tweets for more.

Click the graphs below for details. Fastest times are achieved when booting the 64-bit kernel.

Mac OS X 10.6 Snow Leopard
Snow Leopard is faster, especially booted into 64-bit kernel
Mac OS X 10.6 Snow Leopard
Snow Leopard is faster, especially booted into 64-bit kernel

Friday, August 28, 2009

Snow Leopard Special Report updated continuously

I’m updating my Snow Leopard Special Report continuously now. You might also want to follow my Twitter tweets for updates or my RSS feed.

Mac OS X 10.6 Snow Leopard
32-bit kernel is the default, but you can boot a 64-bit kernel

Thursday, August 27, 2009

OWC deal on Mac OS X 10.6 Snow Leopard

Our sponsor of Mac Performance Guide, OWC, is offering Mac OS X 10.6 Snow Leopard for only $25. OWC is a great resource for upgrading your Mac, why not give them a try?

Mac OS X 10.6 Snow Leopard
Click to buy at OWC

Zeiss ZF Lenses updated again — more samples

I’ve just published another page of examples from the Zeiss ZF 21/2.8 Distagon to Guide to Zeiss ZF/ZE Lenses. The latest batch of examples is varied outdoor shots (mostly), the previous batch were close-ups.

Why not subscribe today? New subscribers can get DAP and Zeiss ZF/ZE Lenses as a bundle, saving $20. Even if you doubt you want a ZF lens (for Nikon) or ZE lens (for Canon), there is a lot to learn about lenses, with tons of examples.

Subscribers to Zeiss ZF Lenses can click the image below to go directly to the new page.

Zeiss ZF 21/2.8 Distagon
Nikon D3x + Zeiss ZF 21/2.8 Distagon

Wednesday, August 26, 2009

Mac OS X Snow Leopard Special Report

I’ve started my Mac OS X Snow Leopard report. I’ll be updating it steadily starting late Friday as I work with Snow Leopard. My focus will be on photographers and the software/hardware we use.

When emails mislead — Snow Leopard delay

Apple Mac Pro Photoshop performance
Except that it will arrive “Sept 1 - Sept 5” instead!

I already had an order in for Snow Leopard at amazon, but it's not due until Monday. One way or another, I need it on Friday, so I can report on it over the weekend.

So I responded to this August 25th Apple email (“have it at your door Friday”). Apple doesn't usually screw up this badly, but after ordering, the news is that the order won’t arrive until “Sept 1 - Sept 5”, according to my order confirmation and an Apple representative. No apology from Apple on this, just a waste of my time. I don’t like being tricked like this, shame on Apple.

Update: reader Doug D tells me “Man do you sound like a sourpuss”. Yup. It will take me at least an hour roundtrip to drive to the Apple Store, wait in line. That’s one less hour of sleep for me!

Tuesday, August 24, 2009

New York City Mac Pro setup

Apple Mac Pro Photoshop performance

It’s not clear that B&H will be able to provide a new Mac Pro for my Photographer’s Workstation talk on September 16, so I have an unusual offer: if you live in the area and want your new Mac Pro set up for free, I’ll use it for my talk.

You have to provide the Mac Pro, memory and SSD/hard drives, I’ll do the rest during my talk.

And of course anyone else is welcome to contact me about consulting on a setup for your particular needs.

 

 

 

Diglloyd on Twitter

Zeiss ZF 21/2.8 Distagon

I just created my Twitter account. If you want to follow my tweets, it’s twitter.com/diglloyd.

How I use Twitter will evolve over time, and actually I have no idea if anyone out there really wants such a thing, as opposed to this blog or an RSS feed, etc.

Update: wow, the porno scum start showing up as followers right away, pretty much making it a full-time maintenance job to block them, or else just give up and ignore the followers list.

Sunday, August 23, 2009

Zeiss ZF Lenses updated — lots of new samples

I’ve just published a new page of examples from the Zeiss ZF 21/2.8 Distagon to Zeiss ZF Lenses. The ZF 21/2.8 is a fantastic lens for use at close range, and the new examples page focuses on such usage. I find that manual focus is by far more convenient when doing close-up work, because I don’t have to focus and recompose, allowing me to concentrate on composition.

Why not subscribe today? New subscribers can get DAP and Zeiss ZF Lenses as a bundle, saving $20.

Subscribers to Zeiss ZF Lenses can click the image below to go directly to the new page.

Zeiss ZF 21/2.8 Distagon
Nikon D3x + Zeiss ZF 21/2.8 Distagon

Saturday, August 22, 2009

Sigma DP-2 with Foveon X3 sensor review

I’ve just published my review of the Sigma DP-2 in DAP, a compact camera utilizing the true-color Foveon X3 sensor. Subscribers can click the image below to read it. Several RAW files are also included.

Sigma DP-2

The resolution provided by the Foveon X3 sensor is really astounding, and clearly equivalent to a much higher pixel count, making the 4.6 megapixels of the DP-2 closer to 8 megapixels in achievable details, as compared with a conventional Bayer matrix sensor. Anyone interested in black-and-white shooting should also take a close look at the DP-2.

Mac OS X “Snow Leopard” advice

According to the rumor mill, the arrival of Mac OS X Snow Leopard is imminent. Read my August 3rd advice on how to approach Snow Leopard. If you have only one Mac and you depend on it for your critical work, think November, not September for Snow Leopard (wait 2-3 months). Seriously. It’s the “if it ain’t broke” principle here. I’m not worried about most software, but I do worry about printer drivers, Adobe products and any specialty products requiring drivers or special software.

I’ve ordered the Snow Leopard Family Pack, and I’ll be installing it first on my MacBook Pro, which for me is a non-critical machine. If all goes well, then a week or two later I will install it on a second boot volume for my “test mule” Mac Pro. After verifying that everything important to me works properly, I’ll install it on my main Mac Pro, but I doubt that the process will conclude before October, and failure of anything important necessariliy means waiting for a patch or fix to be released for the problem application.

Mac OS X 10.6 Snow Leopard
Mac OS X Snow Leopard

Friday, August 21, 2009

Zeiss ZF 21/2.8 Distagon sample uniformity

Sigma DP-2

Following up on Wednesday’s post, I have examined some series shot with both samples and I am delighted to find that both samples are showing symmetric left-to-right sharpness, so apparently my new D3x has its sensor-to-lens-mount alignment just right.

See my August 2 comments on sensor to lens mount alignment and the trouble it can cause.

Wednesday, August 19, 2009

Refurbished Mac Pros — lots of ’em

Sigma DP-2
Examples of refurbished Mac Pros

Many of my consulting clients are not aware of the great deals on refurbished Apple Macs. Read about why buying refurbished is a great idea, and see yesterday’s commentary.

The Apple Store six different models of refurbished Mac Pros available as I write this (click on “Mac Pro” at left under “Refurbished Mac”).

You save 15% buying refurbished— it’s a no-brainer. The $2149 model at right is a great choice; it’s only 10% slower than the $2999 model—barely noticeable. Use the money you save for memory and hard drives.

Dual CPU (8-core) is a plus, but I don’t recommend the 2.26GHz model for most users, and faster 8-core models come at a huge price premium (almost double). Want help choosing and configuring? I offer consulting. Contact me before you buy stuff so I can save you money.

Zeiss ZF 21/2.8 Distagon infinity focus

Sigma DP-2

I shot the D3x today(not at the location shown at right unfortunately!), along with two samples of the Zeiss ZF 21/2.8 Distagon (see below).

Quite interesting is that the two samples do not agree on infinity focus, with one hitting the infinity stop where focus is optimal, and the other focusing slight beyond optimal. Which lens is correct for true infinity focus? It will take some hours to analyze the series I shot, and I’ll be finishing the ZF 21 review the same way I started it seems: comparing more than one sample!

Tuesday, August 18, 2009

Nikon D3x and Zeiss ZF 21/2.8 Distagon

Sigma DP-2

As I mentioned in my Zeiss ZF Lenses review, my D3x has been replaced by Nikon. I now have a brand-new D3x whose sensor-to-lens mount alignment has also been verified (by Nikon).

Brand-new and out of the box, the D3x actually had a hot pixel at ISO 100 in every frame, so it had to go to Nikon service to have the bad pixel mapped out (this is done routinely with all DSLRs, it’s just supposed to happen at the factory). I’ve got my fingers crossed that there’s nothing more than that to it. Nikon service was very fast and responsive, so kudos to Nikon there.

I’ll be checking two Zeiss ZF 21/2.8 Distagon samples to finish up my review. One is a replacement copy, and one is the repaired one back from Zeiss, the one that I bashed on a rock back on May.

To understand just how critical sensor and lens mount alignment are, read Ultra wide angle lenses and sensor/lens-mount alignment. And subscribe to Zeiss ZF Lenses if you really want the scoop, with examples.

Sigma DP-2 first look

I’ve been shooting the Sigma DP-2 and I’ll have a review in DAP sometime soon, where I’ll cover ergonomics and usability, image quality, etc.

Although the DP-2 generates only a 4.6-megapixel file (2640 X 1760), the detail provided by its sensor is pretty incredible. You won’t get anything nearly this clean from a conventional DSLR. The crop below is actual-pixels.

Sigma DP-2
Actual pixels. Note the incredibly fine artifact-free detail

Color rendition with the DP-2 something I haven’t figured out how to process satisfactorily yet (using RAW in Sigma Photo Pro), I do think color rendition is a weakness of the DP-2, though there is some possibility that I might yet hit upon processing parameters to result in the color I’m expecting.

The image below is a torture test; it’s an extremely saturated red wall in real life— red hot and way beyond fire-engine red. The DP-2 could not capture it properly. Even so, it’s massively out of gamut in sRGB, so it’s shown here in AdobeRGB; you’ll need a color-aware browser to see it properly, and even then it’s very likely that your monitor can’t even display the color. The NEC 30" LCD 3090WQXi can display great differentiation in the reds however, much superior to the Apple 30" Cinema Display.

Sigma DP-2
The entire frame (looks like red mush on many monitors)
(AdobeRGB color space, use a color-aware browser)

How many CPU cores?

With the future belonging to multiple CPU cores (today, and even better support with Snow Leopard), a dual-core Mac is a dead-end (all models of the Mac Pro have at least 4 CPU cores).

If you’re a photographer, a Mac Pro is the right choice, even if it’s a slightly older model. You’ll have 4 or 8 CPU cores, up to 32GB memory, space for four internal drives and more.

A MacBook Pro or iMac can’t grow with you. One internal drive, expensive memory limited to 8GB, inferior or no expansion options. Don’t get suckered into a dead-end machine unless you have a fixed requirement like the need to travel, or a physical space constraint.

The pity is that a laptop or iMac system can cost more than a robust Mac Pro (total system cost including memory, screen, backup drives, etc). As of this writing, a refurbished Mac Pro Nehalem was $2149. Add a cheap 24" inch screen for $300 or so, and add/upgrade as your budget allows, rather than having to buy another Mac when you hit the limitations of the MacBook Pro or iMac (and waste your time every day along the way).

Memory: 16GB in a quad-core Mac Pro

This question has arisen several times recently with consulting clients of mine, who were under the impression that a quad-core Mac Pro Nehalem is limited to 8GB memory.

While Apple won’t sell it to you, you can install 12GB (3 modules) or 16GB (4 modules) into a quad-core (single-CPU) Mac Pro Nehalem (see review). Don’t try to mix 4GB modules with smaller ones, it won’t work. An 8-core machine has 8 slots, so you can go to 32GB, an option I don’t recommend (stick to 24GB max eg six modules).

My 8-core dual-cpu 2.93GHz Mac Pro has six 4GB modules (24GB), and my “test mule” 2.66GHz quad-core has three 4GB modules (12GB). I bought the Mule as a refurbished model, saving a cool 15% over new. A Mac Pro is a far better investment than any other Mac.

BTW I have six (6) Apple original 1GB memory modules for sale, contact me if interested.

Memory prices are headed UP

memory modules for Mac Pro
Memory modules (FB-DIMMS for 2008 Mac Pro)

I previously posted about upcoming memory price increases, which were realized shortly thereafter. Memory prices are almost certainly headed higher.

The information below is from Larry at Other World Computing, sponsor of my Mac Performance Guide, offered here as a public service (no matter where you decide to get your memory). I recommend OWC memory, and it’s all I use in my two Mac Pros and my MacBook Pro. I’ve added emphasis below where it seemed appropriate.

With the way memory prices are currently moving, figured it might be a nice thing for us to send out a quick heads up on the topic. I know you covered this before the last price bump and hopefully a good number of readers benefited. There is definitely a trend here and looks to be ongoing.

At the moment, most if not all memory upgrades are still selling for substantially below the prices the same upgrades went for this time last year. Prices a year ago were pretty much at lows already with the chip makers (Micron, Hynix, Samsung, Etc) selling the parts at prices under that which it costs to produce. These companies have posted – individually – billions in losses on these memory chip sales over the past 2 years. Micron alone is over 2 billion during that period. When 4GB was selling for $99 last August – those prices were not sustainable.... Due to the global economic meltdown at the end of 2008, costs that were already way below what was supportable dove to all new lows as the chip makers needed to keep cash flow going. In 2009 we’ve seen productions reduced and entire producers (Qimonda/Infineon for example) completely exit production. As a result, prices had been easing up over the course of the year as the supply/demand equation has come into balance.

Today’s prices are still as much as 50% below where the cost of various modules could be heading. Just over the past 5 days we’ve now seen cost increases of another 5-10% on DDR2 and DDR3 memory that was already up about 20-30% just over the prior 3-4 weeks. After about 2 years+ of supply imbalance, we are seeing things start to move swiftly back to a cost level that – if nothing else – will ensure that memory continues to be available as these producers stop bleeding red ink to turn out the parts.

Right now we’ve got stock that doesn’t reflect the latest cost increases. More memory makes a tremendous difference for performance and will make an even bigger difference with Apple’s 10.6 Snow Leopard too. I have no crystal ball – however – with respect to real costs and supply, it’s far more likely for pricing to continue sloping up than for another dip. It’s a matter of the chip makers no longer able to continue producing where the parts are not sold above true cost vs. that long time bit about better to keep the lines going... They can’t afford to and the adjustment to supply is starting to show.

More than just the original factory maximums, we also have tested and support configurations that were not available and thus nor able to be supported originally by Apple. This includes up to 6GB or 8GB on various MacBook, MacBook Pro, and iMac models that were limited to 4GB; 16GB or 32GB on Mac Pro models originally limited to 8GB or 16GB. When you select by your model – our site shows exactly what upgrade options we have tested and support for your specific machine. Outside of Apple, OWC has the most extensively Apple Mac computer equipped testing lab which enables us to truly confirm all aspects of memory operation. This lab includes nearly every Apple Mac model that has been released over the past 15 years. We don’t just produce & sell memory for Mac – we know Mac memory inside and out.

Not all memory is created equal – OWC guarantees all our memory to meet or exceed Apple Specifications with particular attention to Apple specific requirements including (but not limited to) cooling/temperature, temperature sensor chips, SPD firmware, etc. OWC Memory is backed by a Lifetime Advance Replacement Warranty.

DIGLLOYD: I can personally attest to the quality of OWC memory in my Mac Pro and MacBook Pro and MacMini and MacBook, all modules have worked perfectly for me, running for long periods (24X7 in some cases), sometimes under extreme temperature conditions and artificial stress testing that no normal Mac has to endure.

Saturday, August 15, 2009

A photographer’s workstation

2TB hard drives reviewed and compared

Join me at B&H Photo in New York city on September 16 from 3-5pm for A Photographer’s Workstation. Details and signup are not yet posted at B&H Photo, but will be soon, both at B&H and here.

You’ll see exactly how to:

  • Install an internal solid state drive (SSD) as the boot (startup) drive.
  • Install memory and hard drives;
  • Install system software to minimize bloatware and cruft.
  • Computer hygiene — separate system and applications from your data;
  • Create a striped RAID for high performance, including a blazingly-fast scratch volume and high-performance main volume.
  • Create a RAID mirror for reliability;
  • Configure Time Machine for automated backups.
  • Clone a drive including your system drive;
  • Configure Adobe Photoshop and Adobe Lightroom for optimal performance, including plugins and preferences.
  • Monitor performance, including memory usage, disk speed and CPU usage to verify that the system is performing optimally.
  • More!

Thursday, August 13, 2009

Trusted vendors

Vendors B&H Photo, Amazon, OWC and LensRentals help make this site possible, and using the links at top left of this page (or any blog page) is appreciated.

Thank you.

MacBook Pro speed demon (Photoshop and SSD)

No, this blog won’t be all computer stuff— it just runs in batches, and I’m turning my attention back to finishing my review of the Zeiss ZF 21/2.8 Distagon, now that I have my replaced Nikon D3x back as of tomorrow. I also have a review of the Sigma DP2 coming for DAP (within a few weeks), and other goodies planned.

Photographers on the go, or those who are using a MacBook Pro and want more grunt should read my MacBook Pro Speed Demon piece, where I explore how fast Photoshop can go with huge files using a solid state drive (SSD).

2TB hard drives reviewed and compared
2-drive striped RAID performance across the volume (15 hour test)

I’ve also updated my review of the Crucial 128GB solid state drive. Pay particular attention to Resistance to internal fragmentation.

Tuesday, August 11, 2009

Capacious 2TB hard drives compared

Looking for seriously capacious storage? There is a clear winner in my test of the two readily available 2TB hard drives. And while neither is an enterprise-grade drive, one model is an impressive performer in a 2-drive striped RAID. Both drives run quiet and cool.

Read my review of the Seagate Barracuda LP and the Western Digital Caviar Green.

2TB hard drives reviewed and compared
2-drive striped RAID performance across the volume (15 hour test)

Saturday, August 8, 2009

SSD (solid state drive) as a boot drive

MacBook Pro and Mac Pro users should consider using a SSD for the boot drive.

Crucial Solid State Drive (SSD)
Crucial solid state drive (SSD)

An SSD boot drive frees up all four internal bays of a Mac Pro for data, for speed and reliability via RAID striping or mirroring or internal backup.

On a MacBook Pro, you get high reliability, much perkier performance, silence, and lower power consumption. And there are no heads to crash above 10,000 feet / 3000 meters altitude (I can drive to 12,600 feet in the Sierra, so it’s a real issue).

Buying a Mac? Save money, see Buying a Refurbished Mac. And consult with me first to get just the right system.

Photoshop scratch volume — 4 solid state drives (SSD)

How fast can Photoshop CS4 go with huge files? The fastest I’ve yet seen it, using a 4-drive RAID-0 stripe with the Crucial 128GB solid state drive (SSD).

optimizing Photoshop CS3 and CS4 performance with SSD scratch volume
Test results on Mac Pro 2.93GHz with diglloydHuge benchmark
Times in seconds, lower is faster

Monday, August 3, 2009

Tasty seaweed

I report on things I like as a service to my readers. We all need to eat and live when we’re not making images!

Many seaweed products are, well, not that appealing to my palate. But Sea's Gift Korean Seaweed Snack (Kim Nori) is fantastic. Also excellent is Sea's Gift Korean Seaweed Snack (Kim Nori), Sweet. Add in some top-notch sardines, and you’re eating good stuff for taste and health.

Sea's Gift Korean Seaweed Snack (Kim Nori)
Best seaweed product I’ve yet tasted

New pages in Mac Performance Guide

I’ve added a number of new pages to Mac Performance Guide. If you’re buying a Mac be sure to see also Buying a Refurbished Mac. And thank you for using the Apple Store link at left when you buy anything Apple.

Mac OS X Snow Leopard

You can now pre-order Mac OS X 10.6 Snow Leopard at Amazon.com for $29. But my advice is to order the Mac OS X 10.6 Snow Leopard Family Pack (5-User) for $49 if you have more than one Mac ($20 more for five licenses? Try that with Windoze). Note that the aggressive upgrade pricing is for Mac OS X 10.5 Leopard users only, and that it is Intel-only (PowerPC not supported). Actual delivery is expected in September.

My advice? Order it, but install it on a non-critical Mac first. At the very least, make a clone of your system before you upgrade, or install it on a separate drive, and let the initial bugs settle out for 3 months or so. And be especially cautious if you use specialized software for things like printers or scanners.

Mac OS X 10.6 Snow Leopard
Mac OS X Snow Leopard

Sunday, August 2, 2009

Ultra wide angle lenses and sensor/lens-mount alignment

The resolution is so high on the Nikon D3x that the tiniest misalignment between lens mount and sensor and lens results in edge or corner blur. We’re talking 5-10 microns, an almost impossible manufacturing challenge. Why short focal lengths? Because the percentage error for any fixed alignment error is much larger. My experience has been that 50mm on up is the safe zone, with 35mm on down becoming more and more sensitive to alignment errors (that's on full-frame DSLRs).

I discuss misalignment in my Guide to Zeiss ZF/E Lenses, and it’s the main reason for the delay in finalizing my review of the Zeiss ZF 21/2.8 Distagon (see below on D3x replacement). I go into the issue in detail with 4 samples of the Zeiss ZF 21/2.8 Distagon in Guide to Zeiss ZF/ZE lenses. Due to damage (rock impact), I’m now on my 5th sample, though the damaged one is returning to me from the factory, a comparison I intend to pursue. (the foregoing should not be construed as thinking the ZF 21 samples were a problem, the 4 samples were a Zeiss courtesy to investigate the alignment issues— one sample I purchased was definitely “off” however).

The lens mount/sensor alignment issue is not confined to DSLRs, in fact it’s a serious and apparently more severe problem with much more expensive medium format gear. See Joseph Holmes’ piece Problems in the Land of Precision.

Mr. Holmes and I discussed this issue at length, and our theory is that the problem is particularly acute for larger sensors, meaning full-frame DSLRs as well as all medium format gear. While the problem can affect smaller sensors (eg Nikon’s DX or Canon’s 1.6X crop sensors), the problem is less often seen (but see my comments on the Nikon 10-24 below). And the evidence in reviewing the Olympus E-P1 and Panasonic G-1 suggests to me that the four-thirds and micro-4/3 format is much less prone to misalignment.

My supposition is that an angular tilt or swing error between sensor and lens mount propagates into a focus error that is tolerable or negligible on smaller sensors, but grows linearly with distance from the center (fixed angle = greater displacement as distance from the center increases). Thus, manufacturing tolerances come into play, what is tolerable on a small sensor may be visible blur on a larger one. Large sensors suffer here, unless the alignment tolerances are also narrowed. The errors in question need only be 5 microns before MTF (contrast) begins to drop, with errors of 10 microns or more displaying as visible blur. It’s not even clear that the lens mount on DSLRs has that kind of precision.

The net effect is that super-wides need a really good match between lens and camera, something that means (ideally) perfect lens-mount/sensor alignment, and perfect lens alignment. It’s a good bet that at least some “bad sample” complaints are due in part to the camera, not the lens. Look for blur one one side of the frame or other, and you might be seeing a camera problem or a lens problem, or both.

And by the way, don’t stress the lens mount letting a heavy lens dangle from it, like a 70-200VR. Precision gear won’t stay precise when stressed.

D3x replacement

I sent in my Nikon D3x to check the sensor-to-lens mount alignment (again). Regrettably, I won’t learn what exactly was off (or not) with the replaced unit, because Nikon is opting to replace it with a new body, which I have to say is exceptional service. I did not ask for a new camera, I just asked for its alignment to be verified/fixed. The replacement has been checked for alignment, so I’m told.

My finalized review of the Zeiss ZF 21/2.8 Distagon in Guide to Zeiss ZF/ZE lenses is coming; its delay was due to two reasons: the damage from rock impact of my first sample, and the subsequent issue with the D3x. Still, I have some lovely images from my June Yosemite photo tour which I’ll be sharing in high-res form in Guide to Zeiss ZF/ZE lenses.

 

New AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

Nikon announced the new AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED a few days ago. Because I shoot the full-frame (“FX”) Nikon D3x, it is of minor interest to me. However, it looks like a great new option for those shooting DX-frame cameras like the D2x, D300, D90, D5000, etc. It’s a lens I might take a look at for DAP if interest is there.

Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

I have some concerns with ultra wide angle designs, brought to the fore with recent experience. When I was shooting my Nikon D2x (DX sensor) a few years ago, I had trouble obtaining a 12-24 zoom without issues. I finally settled for the 3rd replacement sample (4th copy), which wasn't perfect; all the samples showed some asymmetry (the first sample actually had a double image in one corner!).

So the 10-24mm zoom means that precision has to be even higher at 10mm than at 12mm. Seems doubtful to me, so watch your copy of this lens carefully, especially at the wide end. At the long end, the f/5.6 aperture will hide some of any error that is present, so if something looks bad there, it’s really off.

New AF-S NIKKOR 70-200mm f/2.8G ED VR II

Nikon announced the new AF-S NIKKOR 70-200mm f/2.8G ED VR II, a good thing since the existing model shows poor performance on full frame FX cameras in the edge and corner areas, as discussed in Mush in the Corners, and elaborated upon in DAP. DAP also includes a report on 180mm lenses on the full-frame Nikon D3x.

Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II

The new 21-element-16-group “II” model includes more special glass (an impressive 7 ED elements) to reduce chromatic errors, which were fairly strong on the older model. The new nano coating, the extra ED glass elements, and improved VR sound very promising. But the real question is whether the lens will cover the entire FX frame adequately at the long end, a task the original model failed at miserably.

At 54 ounces (3.4 pounds, 1.53kg), the 70-200VR II is no lightweight, and the disappointing reproduction ratio of 0.12 means that macro work or even tight face portraits are not an option. But of course this is a lens targeted more at sports and events photographers. It’s not one I’d be carrying for outdoor work where I can carry my Zeiss or Leica 100mm lenses, and my Leica R 180/2.8 APO.

Sports and event types should be aware of the t-stop factor: the existing 70-200 VR cheats on its actual f-stop equivalent, being effectively an f/3.5 lens in terms of actual light transmission and thus feasible shutter speeds, as compared to the Nikon 180/2.8D and Leica R 180/2.8 APO at f/2.8. See my DAP piece on 180mm lenses (“Light transmission: t-stop”) for details.

The new 70-200VR II will be available around November 2009, and will be a top priority for me to review in DAP.

Nikon 70-200 VR corner blur      
Nikon 70-200 VR corners at f/8

Home / Table of Contents | Terms of Use | Copyright © 2008-2010 diglloyd Inc, all rights reserved. | Contact | Newsletter + Alerts | Press