<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom"><title>diglloyd.com blog</title><link href="http://diglloyd.com" /><id>tag:diglloyd.com,2001-01-01:/</id><updated>2013-05-21T13:55:44-08:00</updated><author><name>diglloyd, Inc.</name></author><entry><title>Sony NEX-7: Damaging Contrast Bug</title><link href="http://diglloyd.com/blog/2013/20130521_1-NEX-7-contrast-bug.html" /><id>tag:diglloyd.com,2013-05-21:/publish/blog/2013/201305211-NEX-7-contrast-bug</id><updated>2013-05-21T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
          In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt;, I document a &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/SonyNEX/NEX7-contrast-bug.html"&gt;damaging contrast bug with the Sony NEX-7&lt;/a&gt; that came and went while shooting a comparison.
          The bug is independent of lens and aperture and occurs with the latest firmware.
          Included are RawDigger histograms to show that the bug is independent of raw converter.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130521_1-NEX-7-contrast-bug.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Sony NEX-7: Longer Term Perspective</title><link href="http://diglloyd.com/blog/2013/20130520_2-NEX-7-long-term.html" /><id>tag:diglloyd.com,2013-05-20:/publish/blog/2013/201305202-NEX-7-long-term</id><updated>2013-05-20T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
  I summarize my &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/SonyNEX/longer-term-perspective.html"&gt;current perspective on the 24-megapixel Sony NEX-7&lt;/a&gt;. 
&lt;/p&gt;
&lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130520_2-NEX-7-long-term.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Autofocus with Sony NEX-7</title><link href="http://diglloyd.com/blog/2013/20130520_1-NEX-7-focusing.html" /><id>tag:diglloyd.com,2013-05-20:/publish/blog/2013/201305201-NEX-7-focusing</id><updated>2013-05-20T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;h3&gt;          Jeff K writes:&lt;/h3&gt;
          &lt;blockquote&gt;
            &lt;p&gt;
              I'm reading your posts about the Touit lenses with a lot of interest. Thanks for doing such an awesome job posting photos. You've for sure got the best NEX 7 plus Touit photos on the web at this time. I've got my 32/1.8 on order.
            &lt;/p&gt;
            &lt;p&gt;
              I'm noticing that you keep complaining about the autofocus accuracy of the NEX 7 and I'm wondering why you are using AF with totally stationary subjects when you've got one of the best manual focus machines ever made in your hand.
            &lt;/p&gt;
            &lt;p&gt;
              The EVF with magnified view and focus peaking is much more accurate than AF with any Nikon or Pentax DSLR I've ever had and one of the things I love about the NEX is being able to nail focus 90% + using the magnified view and focus peaking. Since you use Zeiss lenses on Canon and Nikon DSLRs, you're obviously used to MF, so try using it more with the NEX and I think you'll be very pleased.
            &lt;/p&gt;
            &lt;p&gt;
              PS - when taking photos of people, AF with Face Detection mode on my NEX 7 (I'm using my Sony 35/1.8 and 50/1.8) is fantastic.
            &lt;/p&gt;
          &lt;/blockquote&gt;
          &lt;p&gt;
            DIGLLOYD:  
           Over the years, I&amp;#8217;ve written so extensively about &lt;a href="http://diglloyd.com/blog/2013/20130427_4-why-electronic-viewfinder-matters.html"&gt;how much I like an EVF&lt;/a&gt; and how critical focus accuracy is. 
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130520_1-NEX-7-focusing.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 32mm f/1.8 Planar:
          Evening on the High Line in NYC</title><link href="http://diglloyd.com/blog/2013/20130519_1-Zeiss-Touit-32f1_8-NYC-evening-HighLine.html" /><id>tag:diglloyd.com,2013-05-19:/publish/blog/2013/201305191-Zeiss-Touit-32f18-NYC-evening-HighLine</id><updated>2013-05-19T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt; are additional&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-examples-NYC-evening.html"&gt; examples  in New York City with the Zeiss Touit 32mm f/1.8 Planar on the Sony NEX-7&lt;/a&gt;, this set taken in the evening while walking the High Line in the former meatpacking district.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130519_1-Zeiss-Touit-32f1_8-NYC-evening-HighLine.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 12mm f/2.8 Distagon: Examples, Evening Architecture</title><link href="http://diglloyd.com/blog/2013/20130518_3-Zeiss-Touit-12f2_8-NYC-part3.html" /><id>tag:diglloyd.com,2013-05-18:/publish/blog/2013/201305183-Zeiss-Touit-12f28-NYC-part3</id><updated>2013-05-18T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt; are additional&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-examples-NYC3.html"&gt; examples  in New York City with the Zeiss Touit 12mm f/2.8 Distagon on the Sony NEX-7&lt;/a&gt;, this set taken in the evening.
          &lt;/p&gt;
          &lt;div class="photo"&gt;
            &lt;a href="http://diglloyd.com/index-allview.html#Zeiss12f2_8"&gt; &lt;/a&gt;&amp;#160;&amp;#160;&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-examples-NYC3.html"&gt;
              &lt;img src="http://diglloyd.com/blog/2013/images/2013-0518-DSC0530-rgb,std.jpg" alt="Sony NEX-7 + Zeiss Touit 12mm f/2.8 Distagon " width="850" height="566" class="stroke"/&gt;&lt;/a&gt;&amp;#160;&amp;#160;&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/shootouts/compared-SonyNEX7-NikonD7100-Zeiss50f2.html"&gt; &lt;/a&gt;
            &lt;div class="caption"&gt;
              Sony NEX-7 + Zeiss Touit 12mm f/2.8 Distagon
            &lt;/div&gt;
          &lt;/div&gt;
        &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130518_3-Zeiss-Touit-12f2_8-NYC-part3.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Tioga Pass in Yosemite Is Open</title><link href="http://diglloyd.com/blog/2013/20130518_2-TiogaPass-open.html" /><id>tag:diglloyd.com,2013-05-18:/publish/blog/2013/201305182-TiogaPass-open</id><updated>2013-05-18T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            Tioga Pass is my route through Yosemite to the high country of Yosemite as well as the &lt;a href="http://diglloyd.com/articles/Travel/WhiteMountains.html"&gt;White Mountains&lt;/a&gt; and &lt;a href="http://diglloyd.com/articles/Travel/ExploringDeathValley.html"&gt;Death Valley&lt;/a&gt;.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130518_2-TiogaPass-open.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 32mm f/1.8 Planar: MTF and Distortion and Vignetting Charts (for Sony NEX + Fuji X)</title><link href="http://diglloyd.com/blog/2013/20130518_1-Zeiss-Touit-32f1_8-MTF-distortion-vignetting.html" /><id>tag:diglloyd.com,2013-05-18:/publish/blog/2013/201305181-Zeiss-Touit-32f18-MTF-distortion-vignetting</id><updated>2013-05-18T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt; are added&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-MTF.html"&gt; MTF charts for the Zeiss Touit 32mm f/1.8 Planar&lt;/a&gt; and also &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-distortion.html"&gt;distortion graphs for the 
          Zeiss Touit 32mm f/1.8 Planar
          on Sony NEX and Fuji X&lt;/a&gt;.
           Also &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-vignetting.html"&gt;vignetting on Sony NEX and Fuji X&lt;/a&gt;.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130518_1-Zeiss-Touit-32f1_8-MTF-distortion-vignetting.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 12mm f/2.8 Distagon: MTF and Distortion and Vignetting Charts (for Sony NEX + Fuji X)</title><link href="http://diglloyd.com/blog/2013/20130517_4-Zeiss-Touit-12f2_8-MTF-distortion.html" /><id>tag:diglloyd.com,2013-05-17:/publish/blog/2013/201305174-Zeiss-Touit-12f28-MTF-distortion</id><updated>2013-05-17T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt; are added&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-MTF.html"&gt; MTF charts for the Zeiss Touit 12mm f/2.8 Distagon&lt;/a&gt; and also &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-distortion.html"&gt;distortion graphs for the 
          Zeiss Touit 12mm f/2.8 Distagon
          on Sony NEX and Fuji X&lt;/a&gt;.
&lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130517_4-Zeiss-Touit-12f2_8-MTF-distortion.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 12mm f/2.8 Distagon: Examples in New York City, Part 2</title><link href="http://diglloyd.com/blog/2013/20130517_3-Zeiss-Touit-12f2_8-NYC-part2.html" /><id>tag:diglloyd.com,2013-05-17:/publish/blog/2013/201305173-Zeiss-Touit-12f28-NYC-part2</id><updated>2013-05-17T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt; are additional&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-examples-NYC2.html"&gt; examples  in New York City with the Zeiss Touit 12mm f/2.8 Distagon on the Sony NEX-7&lt;/a&gt;, this set taken on a morning walk from the meat-packing district to Union Square.
          &lt;/p&gt;
          &lt;div class="photo"&gt;
            &lt;a href="http://diglloyd.com/index-allview.html#Zeiss12f2_8"&gt; &lt;/a&gt;&amp;#160;&amp;#160;&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-examples-NYC2.html"&gt;
              &lt;img src="http://diglloyd.com/blog/2013/images/2013-0517-DSC0622,std.jpg" alt="Sony NEX-7 + Zeiss Touit 12mm f/2.8 Distagon " width="850" height="566" class="stroke"/&gt;&lt;/a&gt;&amp;#160;&amp;#160;&lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/shootouts/compared-SonyNEX7-NikonD7100-Zeiss50f2.html"&gt; &lt;/a&gt;
            &lt;div class="caption"&gt;
              Sony NEX-7 + Zeiss Touit 12mm f/2.8 Distagon
            &lt;/div&gt;
          &lt;/div&gt;
        &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130517_3-Zeiss-Touit-12f2_8-NYC-part2.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 12mm f/2.8 Distagon: Examples in New York City, Part 1</title><link href="http://diglloyd.com/blog/2013/20130517_2-Zeiss-Touit-12f2_8-NYC-part1.html" /><id>tag:diglloyd.com,2013-05-17:/publish/blog/2013/201305172-Zeiss-Touit-12f28-NYC-part1</id><updated>2013-05-17T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In &lt;a href="http://diglloyd.com/index-allview.html" class="title"&gt;Guide to Mirrorless&lt;/a&gt;, I&amp;#8217;ve published &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss12f2_8/Zeiss12f2_8-examples-NYC.html"&gt;a wide variety of examples  in New York City with the Zeiss Touit 12mm f/2.8 Distagon on the Sony NEX-7&lt;/a&gt;.
          &lt;/p&gt;
&lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130517_2-Zeiss-Touit-12f2_8-NYC-part1.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss 135mm f/2 APO-Sonnar at Night</title><link href="http://diglloyd.com/blog/2013/20130517_1-Zeiss-135f2-APO-Sonnar-NYC-EmpireState.html" /><id>tag:diglloyd.com,2013-05-17:/publish/blog/2013/201305171-Zeiss-135f2-APO-Sonnar-NYC-EmpireState</id><updated>2013-05-17T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            The &lt;a href="http://diglloyd.com/blog/2013/toc.zf.APOSonnar135"&gt;Zeiss 135mm f/2 APO-Sonnar&lt;/a&gt; has tremendous penetrating power. With its high contrast wide open and superb control of color errors, it makes an exceptional lens for night-time photography.
&lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130517_1-Zeiss-135f2-APO-Sonnar-NYC-EmpireState.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 12mm f/2.8 Distagon: Portraiture with an Ultra Wide Angle</title><link href="http://diglloyd.com/blog/2013/20130516_3-Zeiss-Touit-12f2_8-NYC-model-portraits.html" /><id>tag:diglloyd.com,2013-05-16:/publish/blog/2013/201305163-Zeiss-Touit-12f28-NYC-model-portraits</id><updated>2013-05-16T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            Can a 12mm lens (18mm equivalent on full frame) be used successfully for portraiture?  I made the attempt and achieved some results that I like.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130516_3-Zeiss-Touit-12f2_8-NYC-model-portraits.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 32mm f/1.8 Planar: Portraiture in NYC</title><link href="http://diglloyd.com/blog/2013/20130516_2-Zeiss-Touit-32f1_8-NYC-model-portraits.html" /><id>tag:diglloyd.com,2013-05-16:/publish/blog/2013/201305162-Zeiss-Touit-32f18-NYC-model-portraits</id><updated>2013-05-16T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In the &lt;a href="http://diglloyd.com/index-allview.html#Zeiss32f1_8"&gt;review of the Zeiss Touit 32mm f/1.8 Planar&lt;/a&gt; are &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-examples-NYC-model.html"&gt;portraits  in New York City&lt;/a&gt;.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130516_2-Zeiss-Touit-32f1_8-NYC-model-portraits.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 32mm f/1.8 Planar: Bokeh (Glassware)</title><link href="http://diglloyd.com/blog/2013/20130516_1-Zeiss-Touit-32f1_8-bokeh-glassware.html" /><id>tag:diglloyd.com,2013-05-16:/publish/blog/2013/201305161-Zeiss-Touit-32f18-bokeh-glassware</id><updated>2013-05-16T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In the &lt;a href="http://diglloyd.com/index-allview.html#Zeiss32f1_8"&gt;review of the Zeiss Touit 32mm f/1.8 Planar&lt;/a&gt; is an &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-bokeh-glassware.html"&gt;detailed evaluation of bokeh with the Zeiss Touit 32mm f/1.8 Planar on the Sony NEX-7&lt;/a&gt;.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130516_1-Zeiss-Touit-32f1_8-bokeh-glassware.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>To NYC For a Few Days</title><link href="http://diglloyd.com/blog/2013/20130513_1-travel-NYC.html" /><id>tag:diglloyd.com,2013-05-13:/publish/blog/2013/201305131-travel-NYC</id><updated>2013-05-13T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;Heading to NYC for a few days for a Zeiss press event on &lt;a href="http://diglloyd.com/blog/2013/20130509_3-Zeiss-Touit-birds-are-here.html"&gt;The Birds&lt;/a&gt;. &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130513_1-travel-NYC.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Oversampling: What Would 56 Megapixels Look Like from a Sony NEX-7 Sensor?</title><link href="http://diglloyd.com/blog/2013/20130512_1-SonyNEX7-56-megapixels.html" /><id>tag:diglloyd.com,2013-05-12:/publish/blog/2013/201305121-SonyNEX7-56-megapixels</id><updated>2013-05-12T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            Suppose the 24-megapixel Sony NEX-7 were scaled up to full frame:  it would become a 56-megapixel sensor at the same pixel density.  So what would image quality look like?  Pretty fantastic.
          &lt;/p&gt;
          &lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130512_1-SonyNEX7-56-megapixels.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 32mm f/1.8 Planar: Examples</title><link href="http://diglloyd.com/blog/2013/20130511_2-Zeiss-Touit-32f1_8-examples.html" /><id>tag:diglloyd.com,2013-05-11:/publish/blog/2013/201305112-Zeiss-Touit-32f18-examples</id><updated>2013-05-11T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            In the &lt;a href="http://diglloyd.com/index-allview.html#Zeiss32f1_8"&gt;review of the Zeiss Touit 32mm f/1.8 Planar&lt;/a&gt; is an &lt;a href="http://diglloyd.com/prem/prot/ALLVIEW/Zeiss32f1_8/Zeiss32f1_8-examples-misc.html"&gt;selection of examples with the Zeiss Touit 32mm f/1.8 Planar on the Sony NEX-7&lt;/a&gt;.
          I&amp;#8217;ll have quite a few more, including some from an upcoming trip to New York City.
          &lt;/p&gt;
&lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130511_2-Zeiss-Touit-32f1_8-examples.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry><entry><title>Zeiss Touit 32mm f/1.8 Planar: Correcting Distortion in Adobe Camera Raw</title><link href="http://diglloyd.com/blog/2013/20130511_1-Zeiss-Touit-32f1_8-distortion-close-range.html" /><id>tag:diglloyd.com,2013-05-11:/publish/blog/2013/201305111-Zeiss-Touit-32f18-distortion-close-range</id><updated>2013-05-11T00:00:00-08:00</updated><content type="html">&lt;div class="day"&gt;
        &lt;div class="post"&gt;
          &lt;p&gt;
            Previously posted, but now updated to include a 3-way comparison:
          &lt;/p&gt;
          &lt;ul&gt;&lt;li&gt; Camera-corrected JPEG. &lt;/li&gt;
            &lt;li&gt;Raw with no distortion correction.&lt;/li&gt;
            &lt;li&gt;Raw with distortion correction.&lt;/li&gt;
          &lt;/ul&gt;&lt;/div&gt;
      &lt;/div&gt;&lt;p&gt;&lt;a href="http://diglloyd.com/blog/2013/20130511_1-Zeiss-Touit-32f1_8-distortion-close-range.html"&gt;Read more&lt;/a&gt;&lt;/p&gt;</content></entry></feed>