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Friday, November 04, 2011

Zeiss 25mm f/2 — Extraordinary For Landscape

I am in the frigid mountains for some early winter shooting (12° F today at 10,600') with both the new Zeiss 25mm f/2 Distagon and the new Leica 21mm 3.4 Super-Elmar-M ASPH. I write this using the AT&T personal hot spot on my iPhone 4S, high in the White Mountains of California.

The Zeiss 25/2 Distagon offers extraordindary contrast for coarse and medium structures, for a visual impact that can scarcely be rivaled, though the 25/2.8 Distagon has similar qualities at one stop slower and with some color aberrations. The 25/2 Distagon has a purity of color that is truly extraordinary. Which is not to say that one won’t find some lab test purporting to show that lens X is just as sharp— which could be true, but beside the point, if one looks at real images.

Tenaya Creek at dusk Canon 5D Mark II + Zeiss 25mm f/2 Distagon
Tenaya Creek at dusk
Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Dinner Canon 5D Mark II + Zeiss 25mm f/2 Distagon + Lupine Piko LED light
Dinner
Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/13 + Lupine Piko LED light
Glorious Morning in Silver Canyon Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Glorious Morning in Silver Canyon
Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Glorious Morning in Silver Canyon Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Bristlecone Pine at Dusk in Snowstorm
Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Glorious Morning in Silver Canyon Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Seedheads in Silver Canyon
Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Glorious Morning in Silver Canyon Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/2
Bush in Snowstorm
Canon 5D Mark II + Zeiss 25mm f/2 Distagon @ f/9

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