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Articles Table of Contents   Page 1: Keep and Use Classic Lenses For an Unusual Look Page 2: Shoot One and Only One Subject Page 3: Shoot One Lens, and Not a Zoom Page 4: Choosing a Lens by Focal Length Page 5: Fast Lenses—Shutter Speeds / Background Blur (Bokeh) Page 6: Shoot a Fast Lens at Dusk or Dawn Page 7: Blur Can Be Beautiful Page 8: Making Sharp Photos Handheld Page 9: Shoot Another Format (Size or Aspect Ratio) Page 10: Use Manual Exposure for Perfect Results Page 11: White Balance Tools Page 12: Understand Perspective and Size Variance Page 13: Look For Natural Patterns Page 14: Depth of Field Is Oh-So-Shallow Page 15: Depth of Field—How Far To Stop Down Page 16: Depth of Field and Megapixels Page 17: Never Go Traveling Without a Backup Camera Page 18: Don’t Assume a New Lens is Good! Page 19: Infinity Focus Requires Care! Page 20: How to Carry Large and Heavy Lenses Page 21: Shooting Tip: Use Mirror Lockup Page 22: Shooting Tip: Aurora Borealis Page 23: Shooting Tip: Grizzly Bear vs Black Bear Scat Page 24: A brief glossary of photographic terms

Look For Natural Patterns

Everyone’s brain works differently, so there are no guarantees, but there is a horse grazing, with a foal running below in this image, taken in Titus Canyon of Death Valley. It isn’t subtle at all, yet I find that some people have trouble seeing it, which seems weird to me.

The actual subject is blue and white marble of a canyon wall.

I actively look for such images, waiting for them to appear out of patterns. I find that sometimes I’m first subconciously aware of an image being there, and it can take some time for it to emerge into my conscious mind. Shooting upside-down, as with a view camera ground glass can also help.